Remembrance Photography
"The Now I Lay Me Down to Sleep Foundation is there for parents and families to help aid them in their HEALING, bring HOPE to their future, and HONOR to their child. It is through REMEMBRANCE that a family can truly begin to heal."
Tuesday, November 1, 2011
Camera RAW
I am learning about the advantages of "shooting in RAW" instead of capturing pictures in JPEG files. RAW files are definitely higher quality (but take up lots of file space). These pictures were taken in RAW and I love how they turned out. Actually, I shot in RAW+JPG so I could compare and the JPGs definitely didn't edit nearly as well as the RAW files. For now I don't have Photoshop or Lightroom or a real way to batch process my RAW files on my computer, so I'm still debating on when to shoot in which file type. (I would like to get Photoshop Elements and shoot in RAW.) But I did learn that the iPhoto program on my Mac that I use for pictures can at least process the RAW files and then export them into JPEGs. I can't adjust them as much as I could with Photoshop though.
Goals and Lessons
One thing photography books and articles mention often is to never use your on-camera flash. It makes skin tones look flat and causes harsh light and strange shadows. But... if your subject is in poor indoor lighting, you don't have the budget for an off-camera flash, you can't figure out how to bounce your flash with a business card, and your subject keeps moving, this is what you get:
Cute, blurry babies
Or so dark you can't even see the baby
Even when brightened in iPhoto, this is the best you get
I would really like to get some shots like this that look good!
So I am planning to get a flash and learn how to use it. But in the meantime, I just ordered a flash diffuser that goes over my on-camera flash. It should allow me to use the flash without too much craziness. It should be a good step for me now. It's supposed to arrive next week.
Another thing I have been paying attention to is my white balance. It is taking some getting used to when it comes to remembering to adjust this setting and remembering which one to pick but it is really improving my pictures.
This picture of my niece Daphne was shot in Auto White Balance.
This one was in Shade White Balance. It "warms" up the tones and makes her skin tone more realistic.
More action shots I want to improve.
After this photo shoot, I fiddled with my camera and realized my Auto ISO was capped at 800. So just by upping the ISO to 1600 (which wouldn't be great if I wanted to print out the pictures), I was able to get some better stills of the girls moving around in the low light of my bedroom.
Monday, October 17, 2011
Click! Questions
I recently downloaded an e-book called "Click! How to Take Gorgeous Photos of Your Kids" and each chapter has thought questions so I thought I would record my answers on my photo blog.
Write three words that describe your child photography style:
Playful, Full-fram, Developing
Write three different words that you would like to describe your child photography style:
Honest, Fun, Creative
Think back to the last image you took of a child that moved you and write down three elements of the image that make it remarkable.
This is the image that came to mind. I love it so much that I'm considering putting it on my business cards when I have them printed soon. Besides it being an adorable picture of my own child, I love the depth of field in this picture that makes her moving hair blur perfectly, the lighting that blends her features in with the background just the right amount, and the expression on her face came when I asked her to pop around the tree and say "hi!" then I snapped in the instant she relaxed, making it natural.
Write out in detail your photographic ah-ha moment.
I have had several small ah-ha moments but I'm not sure I have reached my momentous ah-ha moment yet. Just recently did I realize that I am feeling more confident with my camera settings and not afraid to show people that I am a photographer. As I share my photos online and receive amazing feedback, it builds my confidence. Another small moment came when I contacted the NILMDTS Foundation and had it suggested to me that I could be a photographer's assistant for them long before I develop my photography professionally enough to volunteer as a photographer. I want to take photographs to capture moments in people's lives, make memories, and cherish life.
List the elements you consider essential in making a great image.
Preparation, composition, LIGHTING, balance, power positions (rule of thirds), white balance, focal point, background, and expression.
Think about your shooting style and identify the areas you would like to work on.
My shooting style is still amateurish because I am realizing I know so little in the vast world of photography and do not consider myself naturally artistic or creative. But I would say my shooting style is natural and fun. I would like to work on getting the composition right before pressing the shutter instead of relying on cropping later. I would like to be more confident in my ISO to take it off of Auto more often. I would like to learn more about posing and feel confident in giving direction to my subjects. I also want to get faster at changing the AF points as I shoot.
Write three words that describe your child photography style:
Playful, Full-fram, Developing
Write three different words that you would like to describe your child photography style:
Honest, Fun, Creative
Think back to the last image you took of a child that moved you and write down three elements of the image that make it remarkable.
This is the image that came to mind. I love it so much that I'm considering putting it on my business cards when I have them printed soon. Besides it being an adorable picture of my own child, I love the depth of field in this picture that makes her moving hair blur perfectly, the lighting that blends her features in with the background just the right amount, and the expression on her face came when I asked her to pop around the tree and say "hi!" then I snapped in the instant she relaxed, making it natural.
Write out in detail your photographic ah-ha moment.
I have had several small ah-ha moments but I'm not sure I have reached my momentous ah-ha moment yet. Just recently did I realize that I am feeling more confident with my camera settings and not afraid to show people that I am a photographer. As I share my photos online and receive amazing feedback, it builds my confidence. Another small moment came when I contacted the NILMDTS Foundation and had it suggested to me that I could be a photographer's assistant for them long before I develop my photography professionally enough to volunteer as a photographer. I want to take photographs to capture moments in people's lives, make memories, and cherish life.
List the elements you consider essential in making a great image.
Preparation, composition, LIGHTING, balance, power positions (rule of thirds), white balance, focal point, background, and expression.
Think about your shooting style and identify the areas you would like to work on.
My shooting style is still amateurish because I am realizing I know so little in the vast world of photography and do not consider myself naturally artistic or creative. But I would say my shooting style is natural and fun. I would like to work on getting the composition right before pressing the shutter instead of relying on cropping later. I would like to be more confident in my ISO to take it off of Auto more often. I would like to learn more about posing and feel confident in giving direction to my subjects. I also want to get faster at changing the AF points as I shoot.
List
Business name
Business cards
Watermark & Copyrights
Model release
Camera bag
Flash
On-Camera flash book
UV filters
Camera cleaning kit
Reflectors
Telephoto lens
Photo parties!
Referrals
Business cards
Watermark & Copyrights
Model release
Camera bag
Flash
On-Camera flash book
UV filters
Camera cleaning kit
Reflectors
Telephoto lens
Photo parties!
Referrals
Saturday, October 8, 2011
My First Maternity Shoot
Since my goal is the NILMDTS Foundation, I want to focus on portrait photography, particularly maternity, newborn, and family portraits. So I made a list of all my local pregnant friends and contacted them to see if they'd be willing to let me do some free photo shoots. Everyone I asked readily agreed! So I started scheduling maternity photo shoots! This is exciting and scary all at the same time.
Yesterday was my first photo shoot! It was for Jannali O., an acquaintance from my ward. She is having a baby girl in November. Plus she's gorgeous so even if I didn't do a great job, she'd look wonderful. In planning the session, I pictured fall leaves and fun backgrounds. But the day before our shoot, a giant cold front came in, dropping tons of rain, a little snow, crazy gloomy overcast skies, and temperatures in the 30s. We were not prepared for that but did our best!
Here are my top 8:
This pose was influenced by the intermediate photography class. Women tend to like looking skinny in photos (especially pregnant women who are larger than they'd like to be), and one of the ways to make someone look smaller is to shoot from above and have them look up. While I wish I had a stepstool or something with me to get up just a tad higher (note to self!), this turned out great. The only problem was she was sitting by a road and the street didn't make a pleasant background until I turned it black and white--then it left a nice texture. But with limited surroundings, this is my favorite. (I noticed she made it her Facebook profile picture so she must like it too.)
She may not like her expression and I'm urked that her belly got cut off a little at the bottom (while there's a little more head room than I meant--I'm working on being more aware of my surroundings before pressing the shutter), I still love this shot. I like that her belly is highlighted with the green grass and her look isn't fake.
She picked out her own clothes and the bright colors look great against the white wall. It would have been nice to have a smooth backdrop but I don't have a studio. She LOVED my dry erase blackboard. After reviewing this shot, I'll be sure to make the letters thick for future pics.
I had this shot in mind long before I scheduled her shoot. I will probably do something similar for future maternity shoots.
After posing lots of shots with just Jannali, her husband came home from work and we captured a few moments with them together. He wore the jacket because it was freezing (and she said she's huge and needed him to look larger), and the texture of it adds to the photo, especially in black and white.
I just asked them to look at each other and they both giggled. (Apparently this is his favorite shirt so he took off his jacket.)
I love how this turned out. In this shot their clothes seem to really give character to the photo. I'm also very glad that I gave her the reigns on what to write on the board because her handwriting is adorable and she had fun changing the message throughout the shoot. I suggested "Coming Soon" as something to write and she added the dute date--classic! I wonder if a black reflector would eliminate the reflection on the board or if it would just make them too shady overall. (I posted this pic on the Gallery Arts Facebook page asking about the reflection. We'll see what they say.)
She requested this photo and I think it's adorable. My only dislike is the color of the wall. It was just a matter of convenience.
And here are the other shots we took:
Our first try. Too many weird things in the background and weird look on her face.
Kinda cute but kinda awkward.
Super cheesy face. I really had no clue how to get her to not make that face. My techniques for silly smiles ("say stinky feet") don't work the same on adults. There were definitely some awkward posing moments on this shoot. That will just take time and practice to improve.
This weird angle is so we can take a pic again when she has the baby and have her hold the newborn in front of her belly as a comparison shot. (We should have had her keep her belt on because her boobs have an odd contour since the shirt is not a maternity cut.)
Eh, just okay.
This is the same place as my #1 favorite. You can see the tar on the road. But after making the first one b&w, I didn't feel I should do it to this one. Plus her hair looks cool. Overall it's just not the best shot.
She loved the blackboard and I love what it says but I didn't notice during these poses that her shirt was wrinkled at the bottom. It makes the baby look squished. And you can see she's looking tired and not sure how to pose--I'm not much help!
This would be one of my favs if the playground reflection was gone and the shirt wasn't so wrinkled. It's not bad though.
This one's kinda cool. When she looked through the photos, she commented that she likes how her feet are blurry. I started feeling bad that the best shots seemed to all have her head cut off! They are my favorite maternity shots but still. (Almost all the pictures of me pregnant have my head purposely cut off--I didn't want to see my face in pictures at the time.)
I like the angle here. If I could get her to look just slightly more real in her expression, it would be an awesome shot.
"Okay, are we done here?"
The playground pole looks strange and her face got washed out. If I knew some Photoshop editing skills, it could probably look better. I should have pushed harder to get her to sit on the playground equipment instead of randomly stand by it. I think there are some cute poses on playgrounds in my future.
I like this angle. I should probably cut out the little triangle of grass on the bottom left but her expression is lazy because she wasn't ready when I clicked, so I won't bother editing.
They need to be closer!
A little better, but hello, they're married!
That's better. I had to keep asking them to lean in and get closer. I need to be more conscious of that as I photograph multiple people. The lighting in this one was a little off. She seems overexposed while he looks good. That's another thing I could probably fix if I knew Photoshop or shot in RAW or something else I don't yet know about.
This one is just okay. He told me beforehand that he doesn't think he's photogenic, so at least his expectations are low so I can't really disappoint. :)
This photo session took almost two full hours. We shot around their apartments, took a potty break, went over to a nearby park, then came back when he arrived. I need to work on posing--sometimes I don't have ideas and sometimes I can't express what's in my head. I need to work on being aware of the full frame--like the piece of something on her left sleeve or the bird poop on the wall behind his head--and making the subject feel comfortable. Overall I am really pleased with how it went! I posted my top 8 on Facebook and TONS of people--my friends and hers--have given rave reviews. It makes me feel great.
More photo shoots to come!!
Intermediate Class
So I took the intermediate photography class at Gallery Photography last Wednesday. I was hoping for a little more direction on indoor lighting than what was given (I guess I need to learn how to ask more questions) and felt so nervous shooting in the crowd that I didn't learn much from the outdoor practice. I felt crestfallen that when I came home I didn't feel like I learned anything I couldn't have read online for free. (At least I used a Groupon and didn't pay full price!) I felt a little uncertain after the beginner's class as well, so I'm hoping to rid myself of the discouragement that I feel and get back into my groove.
There are two reasons I think I came away from the class feeling anxious and frustrated.
1 - While hands-on learning is important, I need more one-on-one instruction and observation time. When all 10 of us went outside with two "models", I kinda waited for the teacher to step up and show me his techniques more than he did. So I hung in the back playing with camera settings and feeling nervous. When he did ask to look at my pictures, I was embarrassed because I wasn't shooting the quality that I know I can do. I guess it didn't hit me that I was supposed to treat them as my client and try to get good shots of them. I guess I could have taken more photos and asked for criticism. But it would help me learn more to be an assistant or shadow a pro on a shoot and see where they put their reflectors and lighting, which lenses and things they choose, and how the pics turn out.
2 - I felt inferior with my equipment. I have a Canon Rebel T2i with its kit lens 18-55mm f/3.5-5.6 and a 50mm f/1.8 lens. And everyone else had telephotos, macros, and other crazy expensive things. So they were getting better pics because they had more options. I had to get in the models' faces--and put myself in everyone else's pics--to get anything decent. I just felt uncomfortable. Even Kelley had borrowed her father's telephoto lens for the class. I hated feeling that my $1000+ spent on camera equipment didn't seem good enough. The equipment isn't what matters but the pro teaching the class did have a bit of an elitist air. I'm not a professional! I just bought this camera and it happens to be pretty spankin' nice!
But I did take three pages of notes during the inside instruction and met a fellow Canon photog named Jennifer that is willing to learn along with me. She lives in SLC, and we've been emailing a little since the class. Her camera is a much nicer model than mine and she has fancy lenses (she let me borrow her mondo telephoto lens during the class; it was awesome) but we're both still learning the art of photography. She is the photographer for all the sports events at her local high school and she's going to let me know when she does more shoots so I can go along as well if I'd like. I think she's the reason I needed to go to the class.
I heard Kelly David (the class teacher) say that all they do in the advanced class is shoot. That makes me nervous and now I'm not sure that's the best platform for me. There are so many other resources and ways of learning the advanced techniques that I might just try to sell the Groupon I purchased for the advanced class. We'll see. I think I have a year before it expires.
The main thing I got out of the class is a wish list: LightScoop, reflectors, Photoshop, off-camera flash, umbrella and stand, telephoto lens, vertical grip, and macro lens--in that order. :)
There are two reasons I think I came away from the class feeling anxious and frustrated.
1 - While hands-on learning is important, I need more one-on-one instruction and observation time. When all 10 of us went outside with two "models", I kinda waited for the teacher to step up and show me his techniques more than he did. So I hung in the back playing with camera settings and feeling nervous. When he did ask to look at my pictures, I was embarrassed because I wasn't shooting the quality that I know I can do. I guess it didn't hit me that I was supposed to treat them as my client and try to get good shots of them. I guess I could have taken more photos and asked for criticism. But it would help me learn more to be an assistant or shadow a pro on a shoot and see where they put their reflectors and lighting, which lenses and things they choose, and how the pics turn out.
2 - I felt inferior with my equipment. I have a Canon Rebel T2i with its kit lens 18-55mm f/3.5-5.6 and a 50mm f/1.8 lens. And everyone else had telephotos, macros, and other crazy expensive things. So they were getting better pics because they had more options. I had to get in the models' faces--and put myself in everyone else's pics--to get anything decent. I just felt uncomfortable. Even Kelley had borrowed her father's telephoto lens for the class. I hated feeling that my $1000+ spent on camera equipment didn't seem good enough. The equipment isn't what matters but the pro teaching the class did have a bit of an elitist air. I'm not a professional! I just bought this camera and it happens to be pretty spankin' nice!
But I did take three pages of notes during the inside instruction and met a fellow Canon photog named Jennifer that is willing to learn along with me. She lives in SLC, and we've been emailing a little since the class. Her camera is a much nicer model than mine and she has fancy lenses (she let me borrow her mondo telephoto lens during the class; it was awesome) but we're both still learning the art of photography. She is the photographer for all the sports events at her local high school and she's going to let me know when she does more shoots so I can go along as well if I'd like. I think she's the reason I needed to go to the class.
I heard Kelly David (the class teacher) say that all they do in the advanced class is shoot. That makes me nervous and now I'm not sure that's the best platform for me. There are so many other resources and ways of learning the advanced techniques that I might just try to sell the Groupon I purchased for the advanced class. We'll see. I think I have a year before it expires.
The main thing I got out of the class is a wish list: LightScoop, reflectors, Photoshop, off-camera flash, umbrella and stand, telephoto lens, vertical grip, and macro lens--in that order. :)
Monday, October 3, 2011
Photographer's Assistant
In reply to the email in the previous post, I responded that I am a beginner and realize it will take me years to even feel comfortable applying to be a volunteer photographer. I received a reply suggesting that I be a photographer's assistant for the foundation. I would find an associated photographer in my area and see if they would allow me to be their assistant, then once someone agrees, I apply to be that person's assistant for NILMDTS. I love that idea, especially in getting experience for eventually being the photographer myself. The only reason I haven't done it yet is that I would need to be able to drop everything and go to the hospital at a moment's notice and right now my own children are my top priority and I can't guarantee my availability. But hopefully sometime soon I will feel good about being an assistant!
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